Note: This post was written by Miranda Ruth Larsen, a PhD candidate at the University of Tokyo
During my presentation at the Society of Cinema and Media Studies annual conference in March of 2018, I mentioned a concept — affective hoarding — as an aside. Afterwards I was met with many questions in person and via Twitter, and I’d like to take a moment now to elaborate on the term.
Fan studies has, for years, engaged with the concept of subcultures in one way or another, usually referencing Dick Hebdige’s seminal work. Stemming from this are frequent discussions of subcultural capital since Sarah Thornton used the term in the mid 1990s. Fan studies scholars often employ both of these structures to examine the fannish mode. Critically, these analyses happen both within, outside of, and in little nodes in-between academia and fandom. However, given the mainstreaming of many fan practices and the continuous policing of ‘proper’ fandom, further complicating both of these ideas may make them even more useful (Booth 2015). Continue reading